Listen – sometimes you have to rewrite a score 2-3 times to get it right. And scoring a hybrid doc about Oscar ‘Zeta’ Acosta (Dr. Gonzo for all the Hunter S. Thompson fans) I guess requires just that.
The film operates in a very different way than most films. Myself and co-composer Ale Cohen learned along the way that our compositional strategy needed to be as unique as the subject.
